Kick ass band straight outta Maryland... They know how to riff, and they know how to rock. Hard.

MOURN THE LIGHT delivers crushingly massive DOOM riffs, galloping along with shades of classic power metal taking hold and leading the way — all the while focused on incredibly memorable songs, with catchy hooks and sing-along choruses.

*artist's rendering

SHIP DATE: AUG 27, 2021 IMPORT DATE: SEPT 14,2021

”Dawn Of Days” is the crushing culmination of all the members’ longtime experience. Continuing to be anything but categorical in their song writing, combining melodic doom, pounding sludge and heavy grooves.

PRE ORDER RELEASE DATE: May 14, 2021 IMPORT DATE: JUNE 14, 2021

Following on the critically acclaimed debut, Mangog Awakens, the four-piece continues to unleash their blend of classic doom metal while adding a speedier, metalizzed bridge to cross the grounds of an enjoyable hardrock sound!

RELEASE DATE: JUNE 25, 2021 IMPORT DATE: JULY 9, 2021

Sentinel Hill writes extremely catchy songs powered by strong melodies and heavy ass riffage. These guys are the real deal.

1. Already Broken
2. Uninvited
3. Stones Unturned
4. The Silence At Last (acoustic)

Sentinel Hill - Charlie Sad Eyes - Guitar / Vocals Aaron SevenZeroEight - Bass Rob Birkbeck - Drums

BACKWOODS PAYBACK “Future Slum”

1. Pirate Smile
2. Lines
3. Whatever
4. It Aint Right
5. Threes
6. Cinderella
7. Generals
8. Big Enough
9. Alone
10. Lucky

BACKWOODS PAYBACK

1. Pirate Smile
2. Lines
3. Whatever
4. It Aint Right
5. Threes
6. Cinderella
7. Generals
8. Big Enough
9. Alone
10. Lucky

Scuzzy Yeti plays heavy handed rock & roll with nods to 70s progressive rock, psychedelic and hard blues. Originally formed as a recording project in 2015, it soon morphed into a live band by early 2016. Original singer Nate Keyes was replaced by Chris Wells that Spring and they spent the summer playing local NH and regional shows. In October they recorded 5 songs at Sonelab in Easthampton, MA with Justin Pizzoferrato(Dinosaur Jr., Elder) which was released in early 2017 as their self titled EP.

"Retro-rock, proto-metal call it what you like, it doesn't really matter what tag you want to pin on Scuzzy Yeti. Good music is good music and this is good music." -Frazer Jones (Desert Psychlist)

"They sound like their name suggests. This is steeped in Proto-blues and basted with bong water low and slow in a gristled serving of hard and heavy vintage rock and roll." -The Huntsman (The Ripple Effect)

"Right from the get go with the opening track this album kicks off with a running start. It is not often that an album hits me so hard, The way this did. With a heavy heart, crushing vocals, and masterfully orchestrated instrumentals, Scuzzy Yeti shines bright and gives us a mere taste of what they're capable of." William Gaylor-(ViaOmega Underground)

"That's what she said. I also agree. This is enormous! The girthy vocals penetrate deep with brute groove. The proto-stoned power metal meets scuzzy biker blues will leave you begging for more." Bucky Brown-(Ripple Music)

Track Listing:

Hell Train Counting Coup Ghost Town Gambler The Creeper Fire Bootlegger Blues Wind N Heel Low Road High Flyer

Bohobilly Records

Tracklisting

Further Sleeping Giant Southern Superstitions Dreamcatcher Old Man Of The Mountain The Weight

CD - $10

BUZZOVEN “Violent Hits”

A collection “hits” by sludge lords, BUZZOVEN

Rusty Knuckle Records

Their 2007 release on Buzzville records.

Brand New Release from the uber heavy doom upstarts HOREHOUND. Get your ears on this!

MOURN THE LIGHT “Weight Of The World” Limited Hand Numbered Edition Digipak CD

1. End of Times
2. Weight of the World
3. Embrace the Darkness

Released by: SCENE:TheLabel

$7 + s/h

This is the DIY debut from Toronto, Canada's Ol' Time Moonshine.

"Gruff four-piece Ol’ Time Moonshine hail from the humid backwoods Southern bogs of… Toronto? Okay, so maybe the “Southern” we’re talking about is Southern Ontario, the Down-style chug-and-stomp these dudes get up to on their self-released The Demon Haunted World EP is whiskey by any other name. The seven-tracker finds the two, sometimes-three guitar outfit with a distinctly riffy push, not afraid to get big and angry in the second half of “March of the Trees” or turn things on their head with a little High on Fire gallop on the subsequent “Jazz Cigarettes.” They make little bones about their predilections or tastes in “There be Dragons,” “Jazz Cigarettes” or “This Black Hole is a Demon Rift,” but the ride is enjoyably varied nonetheless, with vocalist Bill Kole showing a range beyond that of the typical post-Anselmo “whoa yeah momma” drawl, getting into sludgier fare when called upon by his own and Chris Coleiro‘s riffing. On instrumental opener “There be Dragons,” “Seven Deadly Suns” and the swayingly grooved “She Dances in Graveyards,” Ol’ Time Moonshine brings in Chris Kendrick of Galaxies in the River for distinct solos, but even elsewhere, Ol’ Time Moonshine show no trouble in offering sonic variety across these tracks. Kole, who also did the jewel-case layout and recorded the guitars and vocals while Ronald Roy of Threshold Sound did Kyle Marnoch‘s bass and Brett Savory‘s drums, seems to be in the lead role, but the band offer a full, active presence throughout, and show themselves to be more than capable songwriters in making something of their own out of familiar genre elements. At just under half an hour, The Demon Haunted World packs enough dirt and grit to be called a full-length, and particularly for being the band’s debut, hits hard enough to leave a mark." - JJ Koczan, The Obelisk

"Ol’ Time Moonshine plays its metal thick and hard. The band has a penchant for deep grooves and compelling, infectious riff structures—characteristics that define its first release, The Demon Haunted World. These songs throb and writhe, unfurling their massive bulk with a languorous, lordly wallowing. Each track explores a different texture and type of heaviness, demonstrating that ponderous weight need not be simple. The opening, instrumental track, “There Be Dragons,” has a threatening, serpentine unravelling to it, while “March of the Trees” conjures nothing so much as Tolkien’s Ents, all oaken weight striding across verdant landscape. “Seven Deadly Suns” might be the highlight of the record, pulling the listener in and apart with chaotic gravitational forces.

The band’s songs are inspired primarily by classic horror, genre fiction, and sci-fi. Rather than hoping to attain the slasher-like franticness of other thrash bands that draw lyrical inspiration from similar sources, Ol’ Time Moonshine tries to evoke the weight of terror, the crackle of electric tension that raises the hair on the back of your neck. The guitar tone vacillates between a bone-snapping crunch and a smoky ominousness that helps build a sense of dread in the most enjoyable way possible. Bill Kole’s vocals play off these textures perfectly. At times, he conjures Crowbar’s Kirk Windstein with his thick, anguished hollers; at other times, he sounds more like Scott Angelacos (of Bloodlet fame and, more recently, of Junior Bruce), curdled and gleefully bloodthirsty.

For fans of the weight of doom metal, the irreverence of stoner rock, and the sheer, relentless force of great heavy-metal riffs, Ol’ Time Moonshine are brewing up something potent in The Demon Haunted World. Don’t sleep on them as long as we did." - Natalie Zina Walschots, Sound Advice for the Torontoist